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u‹`‘่–ฺFAmerican Flash Fiction: an ever-evolving gnew-oldh form
ŠO‘l‹ณŽtMarc LOWENSTEIN
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Ž๖‹ฦ‚ฬŠT—v Course objectives: There are various terms for it: Short-short stories. Sudden fiction. Flash fiction. Microfiction. Even gBlasters.h Whatever one calls it, the very short short story has been around for a while, and has also been reinvigorated and redefined by a new generation of writers. In this course, we will read around 50 of these very short short stories written by Americans, both well-known and lesser-known, both canonized (e.g. Anderson, Hemingway) and contemporary (e.g. Lydia Davis, John Edgar Wideman). We will also try our hand at writing some gshort-shorth stories on a weekly basis and will discuss the craft of writing. Grades will be based upon attendance, participation, a presentation (on one or more authors, on defining the genre), and a final portfolio of writing prefaced by a short essay discussing onefs process. Students are expected to read the assigned pages before class, and come to class prepared to discuss the texts and to write. Discussion and participation are absolutely crucial, and will play a large factor in grading. Students will be expected to prepare and give a presentation in class, lead a discussion or two, keep a reading journal, and turn in a final portfolio prefaced by a short essay.
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In this course, we will read around 50 of these very short short stories written by Americans, both well-known and lesser-known, both canonized (e.g. Anderson, Hemingway) and contemporary (e.g. Lydia Davis, John Edgar Wideman).

(2) Œย•ส‚ฬŠwK–ฺ•WF
We will also try our hand at writing some of these gshort-shorth stories on a weekly basis and will discuss the craft of writing.
Ž๖‹ฦ‚ฬi‚฿•๛ Tentative Schedule (subject to change):
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Shapard, Robert and James Thomas, eds. Flash Fiction Forward: 80 Very Short Stories. W.W. Norton & Co, Inc, 2006. ISBN-13: 9780393328028.

ฌั•]‰ฟ•๛–@ 15% Attendance, 15% Preparation and Participation, 10% Presentations, 20% In-class writing prompts, 20% Reading Journal, 20% Portfolio and Essay
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‚ป‚ฬ‘ผ Weekly Reading Journal Structure:

(1) Characters (Major & Minor): Who do you meet in this story? Describe them.
(2) Setting (Time & Place): Where and when is this story taking place? Describe it.
(3) Plot (action, events): What happens in this story? Summarize it.
(4) New Vocabulary, Expressions, Grammatical Structures, etc.
(5) Your Questions, Comments, Reflections or Reaction, etc.